“圖真”說(shuō)與粉彩山水創(chuàng)作瑣談

——以“珠山八友”為釋例

打開(kāi)文本圖片集

摘要：本文以荊浩的“圖真”說(shuō)為指導(dǎo)，對(duì)粉彩山水瓷畫(huà)進(jìn)行創(chuàng)作分析，并以“珠山八友”為例子作出解釋性研究。提出“圖真”的本質(zhì)是在于創(chuàng)作主體與客體的統(tǒng)一，創(chuàng)作者的積累修煉是“圖真”的前提，對(duì)自然規(guī)律的認(rèn)識(shí)和山水精神的提取是粉彩山水瓷畫(huà)創(chuàng)作“圖真”的關(guān)鍵。

關(guān)鍵詞：“圖真”說(shuō)；粉彩山水瓷畫(huà)；珠山八友

A Trivial Discussion on the Theory of "The True Nature of the Picture" and the Creation of Famille Rose Landscapes

——Taking the "Eight Friends of Zhushan" as an Example

Wang Peilong， Wang Huanxiang

Abstract： Guided by Jing Hao’s theory of ""The True Nature of the Picture"， this paper analyzes the creation of famille rose landscape porcelain paintings， and uses the "Eight Friends of Zhushan" as an example to make an explanatory study. It is proposed that the essence of "Tuzhen" lies in the unity of the subject and the object . The accumulation and cultivation of the creator is the premise of"Tuzhen". Its key is the understanding of natural laws and the extraction of landscape spirit .

Keywords： the Theory of "The True Nature of the Picture" ； Famille Rose Landscape Porcelain Painting； Eight Friends of Zhushan

自古以來(lái)有關(guān)山水畫(huà)的畫(huà)作、畫(huà)論、詩(shī)歌、辭賦如夜空群星，璀璨閃耀，這種崇自然山水為藝術(shù)之高境的審美思想已成為中華民族傳統(tǒng)文化的骨髓。（剩余4451字）