吶喊與審視

——中國(guó)當(dāng)代藝術(shù)中紅色的內(nèi)涵與表現(xiàn)（1978— 2000）

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摘 要：紅色有著獨(dú)特的心理效應(yīng)和豐富的象征意義，在1978 年到2000 年間的中國(guó)當(dāng)代藝術(shù)中運(yùn)用得尤其廣泛。本文運(yùn)用藝術(shù)社會(huì)學(xué)的研究方法，深入分析這一時(shí)期作品中紅色的文化內(nèi)涵，企圖還原藝術(shù)映照下的社會(huì)現(xiàn)實(shí)與大眾情感。這種映照主要分為三個(gè)方面，共同展現(xiàn)改革開放后的前20 年的時(shí)代特性。

關(guān)鍵詞：紅色；中國(guó)當(dāng)代藝術(shù)；色彩內(nèi)涵；色彩表達(dá)

Abstract： Red has a unique psychological effect and rich symbolic significance， which was particularly widelyused in Chinese contemporary art from 1978 to 2000. This paper uses the research method of art sociology todeeply analyze the cultural connotation of red in the works of this period and attempts to restore the social realityand public emotion reflected by art. This reflection is mainly divided into three aspects， which jointly show thecharacteristics of the first 20 years after the reform and opening up.

Keywords： Red;Chinese contemporary art;color connotation;color expression

中國(guó)古代繪畫以墨色、青綠作為常用色，自二十世紀(jì)初西方造型藝術(shù)的涌入，中國(guó)架上繪畫的色彩運(yùn)用更為多元。（剩余4885字）