漆藝術(shù)在當(dāng)代的建構(gòu)與融入

打開文本圖片集

摘要：依托國家藝術(shù)基金項(xiàng)目《漆材料的跨界研究與當(dāng)代藝術(shù)創(chuàng)新人才培養(yǎng)》的培訓(xùn)經(jīng)驗(yàn)，本文就“傳統(tǒng)文化和藝術(shù)、非物質(zhì)文化遺產(chǎn)的審美性、技術(shù)性，以及在當(dāng)代設(shè)計(jì)中的轉(zhuǎn)化與應(yīng)用”進(jìn)行了一些經(jīng)驗(yàn)分享。本文重點(diǎn)探討了對傳統(tǒng)的慎思與追慕，激發(fā)創(chuàng)新理念場域的建構(gòu)。

關(guān)鍵詞：漆藝術(shù)，跨界，當(dāng)代藝術(shù)創(chuàng)新

Abstract： Relying on the training experience of the National Arts Foundation project "Crossover Research of Lacquer Materials and the Cultivation of Innovative Talents in Contemporary Art"， this paper shares some experience on "the aesthetic and technical nature of traditional culture and art， intangible cultural heritage， as well as the transformation and application in contemporary design". This article focuses on the careful thinking and tracing of tradition， stimulating the construction of a field of innovative ideas.

Keywords： lacquer art， crossover， contemporary art innovation

本文介紹與探討的是關(guān)于中國傳統(tǒng)天然漆材料與漆工藝如何在當(dāng)代繼承與創(chuàng)新的思考與探索，這個(gè)討論隸屬于“如何建設(shè)有中國特色的當(dāng)代藝術(shù)”的大主題。（剩余10163字）