從唐代人物畫中看哲學色彩觀

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摘 要：中國傳統(tǒng)繪畫色彩觀孕育在東方文化精神之中，建立在哲學思想之上，在漫長的發(fā)展中形成了中國畫特有的藝術語言和審美品格。本文遵循歷史演進和發(fā)展的過程，從唐代人物畫的角度入手，探究唐朝人物畫哲學基礎、賦色風格及歷史價值，并結合當今多元文化發(fā)展的背景，在保持中國畫色彩審美特點上提出自己的觀點及看法。

關鍵詞：唐代人物畫；五行五色；佛教繪畫；色彩；傳承轉型

Abstract： The color concept of traditional Chinese painting is nurtured in the spirit of oriental culture and founded on philosophical thoughts， which has formed the unique artistic language and aesthetic character of Chinese painting in the long development. Following the process of historical evolution and development， this paper explores the philosophical basis， color style and historical value of figure painting in the Tang Dynasty from the perspective of figure painting in the Tang Dynasty， and puts forward its own views and opinions on maintaining the aesthetic characteristics of Chinese painting color in combination with the background of today’s multicultural development.

Keywords： Tang Dynasty Figure Paintings；the theory of five elements and five colors；buddhist painting；color；inheritance reforming

1 唐代人物畫中的哲學基礎

中國傳統(tǒng)美術是哲學文化的藝術，中國傳統(tǒng)色彩觀的歷史淵源最早要追溯到春秋時期產生的五行五色學說。（剩余5464字）