漫談“相對(duì)簡(jiǎn)化”視角下的中國(guó)陶瓷雕塑藝術(shù)變遷

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This article is aimed to explore the relevance among relative simplification theory， Chinese ceramic sculpture art and Taoist philosophy by reviewing the history of Chinese ceramic sculpture. It is expected to offer some ideas for creation of Chinese contemporary and future ceramic sculpture artworks.

阿恩海姆認(rèn)為相對(duì)簡(jiǎn)化是藝術(shù)品的一個(gè)重要特征，而縱觀中國(guó)陶瓷雕塑歷史，從原始時(shí)期一直到今天，相對(duì)簡(jiǎn)化的藝術(shù)實(shí)踐一直根植在中國(guó)大地。（剩余4046字）