文人畫山水的“隨類賦彩”初探

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摘 要：文人畫山水是中國人繪畫藝術(shù)的高峰之一，古人曾經(jīng)體會(huì)到的設(shè)色經(jīng)驗(yàn)與視覺體驗(yàn)，一方面留在一些畫論的文本里，而大多數(shù)還保留在他們的作品中。本文通過對(duì)一些文人畫山水作品的分類而精細(xì)地閱讀，在經(jīng)典作品中提煉關(guān)鍵的信息，旨在明確文人畫山水設(shè)色上的自然邏輯和審美導(dǎo)向。

關(guān)鍵詞：山水畫的設(shè)色；青綠； 淺降；自然觀；隨類賦彩

Abstract： The landscape painting of literati is one of the peaks of Chinese painting art. On the one hand， the coloring experience and visual experience that the ancients once experienced remained in some painting theory texts， while most of them still remained in their works. This paper classifies some literati landscape painting works and carefully reads them to extract key information from classic works， aiming at clarifying the natural logic and aesthetic orientation of literati landscape painting.

Keywords： Landscape painting colouring；Chinese mineral coloring；light red-colored；view of nature logic；colouring by category

0 引言

從古至今，國人在繪畫領(lǐng)域的文人畫實(shí)踐，無疑是中國繪畫藝術(shù)的巔峰經(jīng)驗(yàn)。（剩余5449字）