Rear Window《后窗》

The hero of Alfred Hitchcock’s Rear Window is trapped in a wheelchair， and we’re trapped， too—trapped inside his point of view， inside his lack of freedom and his limited options. When he passes his long days and nights by shamelessly maintaining a secret watch on his neighbors， we share his obsession. It’s wrong， we know， to spy on others， but after all， aren’t we always voyeurs when we go to the movies？ Here’s a film about a man who does on the screen what we do in the audience—look through a lens at the private lives of strangers.

阿爾弗雷德·希區(qū)柯克的電影《后窗》的主人公身陷輪椅，而我們作為觀眾也被困住——陷于他的主觀視角，陷于他的缺乏自由，也陷于他有限的選擇。（剩余8324字）